Anne Hardy


    • Female
    • Installation

    About the artist

    Currently lives and works in London

    Anne Hardy’s photographs picture depopulated rooms that suggest surreal fictions. Working in her studio, Hardy builds each of her sets entirely from scratch; a labour-intensive process of constructing an empty room, then developing its interior down to the most minute detail. Using the transient nature of photography, Hardy’s images withhold the actual experience of her environments, allowing our relationship with them to be in our imagination.

    Hardy’s work transforms sculpture into photographic ‘paintings’. Though her scenes are built in actuality, their compositions are developed to be viewed from one vantage point only and it’s only their 2 dimensional images that are shown. Hardy uses the devices inherent within photography to heighten her work’s painterly illusion. In Cipher, aspects such as the hazy aura around the fluorescent lights, faux grotto walls, and the spatial defiance of the hanging ropes, give allusion to gesture and drawn lines.

    Through her intensive process of set building Hardy engages with ideas of theatricality, fiction, and performance. Her scenes suggest not only elaborate narratives of place, character, and events, but also a meta-narrative of obsession and control in manifesting their fantasy – all for the solitary moment of the photograph. Unlike film stills, which represent an image of a linear and contextualised story, Hardy’s photographs compound a sense of disjointedness and isolation. Their hermetic aura and invitation to scrutiny affirms their uncanniness or ‘unrealness’. Building offers a surveillance room for forensic study, its wall of monitors broadcasting yet another world within its imagined scene, a further layer of embellished construction, reflecting on the fabricated nature of all realities.

    Source: Saatchy Gallery