About the artist

    1942: Was born in The Bronx, New York

    Weiner is regarded as a founding figure of Postminimalism’s Conceptual arm, which includes artists like Douglas Huebler, Robert Barry, Joseph Kosuth, and Sol LeWitt.

    Weiner began his career as an artist as a very young man at the height of Abstract Expressionism. His debut public work/exhibition was at the age of 19, with what he called Cratering Piece. An action piece, the work consisted of explosives set to ignite simultaneously in the four corners of a field in Marin County, California. That work, as Weiner later developed his practice as a painter, became an epiphany for the turning point in his career.

    His work in the early 1960s included six years of making explosions in the landscape of California to create craters as individual sculptures. He is also known during his early work for creating gestures described in simple statements leading to the ambiguity of whether the artwork was the gesture or the statement describing the gesture: e.g."Two minutes of spray paint directly on the floor.." or " A 36" x 36" removal of lathing or support wall..." (both 1968). In 1968, when Sol LeWitt came up with his Paragraphs on Conceptual Art, Weiner formulated his "Declaration of Intent" (1968):


    1. The artist may construct the piece.

    2. The piece may be fabricated.

    3. The piece need not be built.


    Each being equal and consistent with the intent of the artist the decision as to condition rests with the receiver upon the occasion of receivership.

    Weiner created his first book Statements in 1968, a small 64-page paperback with texts describing projects. Published by The Louis Kellner Foundation and Seth Siegelaub, "Statements" is considered one of the seminal conceptual artist's books of the era. He was a contributor to the famous Xeroxbook also published by Seth Siegelaub in 1968. Weiner's composed texts describe process, structure, and material, and though Weiner 's work is almost exclusively language-based, he regards his practice as sculpture, citing the elements described in the texts as his materials.


    Source: Lawrence Weiner Wikipedia

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