Marc Camille Chaimowicz

    Attributes

    • Male

    Galleries

    About the artist

    Lives and works in Dijon (FR) and London (UK)
    1947: Born in Paris

    In the 1970s, Chaimowicz made environments whose formal idiom drew on art history and the popcultural repertoire of glam rock: disco balls, spot-lights, fairy lights, and pop music on the one hand, on the other symbolically loaded elements from art history such as mirrors and flowers, used in works including Celebration? Realife and Enough Tiranny (both 1972). Together with his performances, these works stood in contrast to the purism of Conceptual and Minimal Art, making the artist one of the most important figures in the British high-subculture of the 1970s.

    His artistic development is closely linked to the political and societal changes of the late 1960s and early 1970s. The student revolt of 1968, which Chaimowicz experienced directly in Paris, was a major influence. His main sources of inspiration were not the political left in Britain, which he initially observed with interest but soon rejected as authoritarian and dogmatic, but feminism and the gay liberation movement. His artistic focus in the early 1970s on the private/public divide and the domestic domain, with its traditionally female connotation, can be read as a radical emancipatory step.

    To underline the fact that even in the exhibition context, artists do not find themselves in a sociopolitical vacuum sealed off from the outside world, Chaimowicz occasionally invites guest artists. For his show at the Secession, he has invited the Viennese architect Hermann Czech, whom he holds in high esteem, and the young British artist Simon Thompson.
    Marc Camille Chaimowicz, born in postwar Paris, lives and works in London and Burgundy.

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