• Female
    • Installation
    • Painter
    • Photographer


    About the artist

    (automatic translation)

    the proposal that Susana Ramos us the plastic development of the nostalgic evocation of moments and experiences made in this new exhibition is last in the Park of la Taconera of Pamplona during your childhood.Is human trafficking, both of the, as it is logical, a remote time but of great personal importance and equipped with emotionally of a great intensity of feeling.From that point of view converge, through interest do ENTHUSIAST and already known to the gardens, a deep feeling of melancholy in which three, seemingly decorative motifs of the Park, are postulated as icons fundamentals in its memory and, in certain way, leitmotif of the exhibition: the deer de la Taconerathe statue of the Mariblanca and the source of this landscaped park.
    Susana has wanted to introduce the melancholy of as application of party member from the title of his exhibition, as the engine of the of which promoted.However, I'm not sure that really sea "permanent sadness a" beech of the que inspired soul its, even something still more vaguely as the spleen, that melancholy state causes of sin, of Baudelaire in Les fleurs du mal, look for more sino-UN State of longing, nostalgia, of intimate sorrow for what was lost,..., that but son subtleties UN Treaty of psychopathology para.
    < span > the station that has all the exhibition, full autumn, FACILITÀ Also ESA gray feeling of melancholy of which wraps, enhanced,: also by the interaction of the visitor with the central circle of leaves dry, to promote their rustling, add UN element sound along with the Dim ambient light, we invited to the gathering, to the contemplation of the works already reflection.Not us is indifferent the site of the event, which with its morphology circular closed FACILITATES the display of pictures at the same time which introduce the factor of the important UN in any of the conceptions of the garden in the evocation of European organizations for Standardization gardens of the that you want to share the author: The garden as refuge closed delights or locus amoenus but a feel more intimate and, in the sphere of their most beloved personal keepsakes.
    know of although the admiration that feel Susan by the romantic painters of German school, doubts sin the more outstanding of Caspar David Friedrich, as well as his passion for landscape architecture and the landscape great, evocative aesthetic treatment of Hedges and parterres, forest, grass, vegetable element of the Park in general, are we very elaborate, in the form of small paintings arranged triads with circular frame is a. In the inner circle of each, a rich colour range ready in Northern grid we transported one garden any place any.No is the realistic concrete object what interests the aesthetic author its recreation, but his emotional and intellectualized, almost sensorial idea.Are triads are separate regularly, geometrically, as in any garden, the big three by pictures that represent the essential of the memory of the Park and of those years, made air thoroughness, working the endearing memory with love that it deserves.
    < span > the deer, for example, represents all the deer once referred to, it is figurative,: Notwithstanding its fund this Treaty with other pyrgus reticle that suggests everything and nothing concrete... Not intend to see the picture a meadow pixelated... is something else. The reticle at Greens is the aesthetic treatment of the countless shades of green seen devised, real and imagined that the memory of the author has lived.Anyone she and memories of own their para.
    come and enjoy of this cultural event.


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