• JAN 25 to MAR 09
    Solo Exhibition
    Mona Ardeleanu

    Category

    • Solo Exhibition
    • Emerging Artists
    • Contemporary
    • Photography

    Dates and Opening hours

    JAN 25 to MAR 09, 2013

    Vernissage: Reception with the artist, Friday, January 25th, starts 7 pm open end - party & reopening at new location Strausberger Platz 8

    Event Location

    Galerie Wagner + Partner

    Strausberger Platz 8
    Berlin
    Germany

    View website

    Artists

    Information

    With Mona Ardeleanu’s Berlin debut, Wagner + Partner open their new gallery premises at Strausberger Platz. Under the title of Softskin, the 28-year old Stuttgart painter exhibits her most recent works. Following her studies under Daniel Richer, Franz Ackermann and Karin Kneffel, Ardeleanu has forged her own unique path in the field of painting.

    Ardeleanu’s compositions investigate interiors, although other than this fundamental enquiry, everything remains open. The associative references of the collage-like arranged objects are primarily situated within the interior themselves and seldom within the picture’s environment. Nonetheless, Ardeleanu’s paintings are also not entirely abstract. Through her conscious placement of patterns, fabric textures and visual allusions to pieces of clothing, one gains the impression of seeing something familiar. However, the non-referential background or rather the interior of these paintings creates a necessity for revision in the viewer. What remains is uncertainty.

    The carefully considered tension between abstraction and realism is also mirrored through forms (shapes, bodies) and material (fabrics, textures). Beyond these formal criteria, it is with questions related to dissociation and transition that the artist concerns herself with. Originating with the epidermis’s function, her paintings question the constraints of what one labels inside or out. What is skin? What is a cover? The series “Schnürungen” (Lacings) 2011 refuses to answer these questions through the use of imaginative, fabric-clad bodies and aims to redefine the body through these means. In this way Mona Ardeleanu’s paintings also encourage a compelling discourse beyond the stereotypes of male and female. In doing so they reveal the aesthetic tensions within the confines of our own patrimonial bodies.

    With Mona Ardeleanu’s Berlin debut, Wagner + Partner open their new gallery premises at Strausberger Platz. Under the title of Softskin, the 28-year old Stuttgart painter exhibits her most recent works. Following her studies under Daniel Richer, Franz Ackermann and Karin Kneffel, Ardeleanu has forged her own unique path in the field of painting.

    Ardeleanu’s compositions investigate interiors, although other than this fundamental enquiry, everything remains open. The associative references of the collage-like arranged objects are primarily situated within the interior themselves and seldom within the picture’s environment. Nonetheless, Ardeleanu’s paintings are also not entirely abstract. Through her conscious placement of patterns, fabric textures and visual allusions to pieces of clothing, one gains the impression of seeing something familiar. However, the non-referential background or rather the interior of these paintings creates a necessity for revision in the viewer. What remains is uncertainty.

    The carefully considered tension between abstraction and realism is also mirrored through forms (shapes, bodies) and material (fabrics, textures). Beyond these formal criteria, it is with questions related to dissociation and transition that the artist concerns herself with. Originating with the epidermis’s function, her paintings question the constraints of what one labels inside or out. What is skin? What is a cover? The series “Schnürungen” (Lacings) 2011 refuses to answer these questions through the use of imaginative, fabric-clad bodies and aims to redefine the body through these means. In this way Mona Ardeleanu’s paintings also encourage a compelling discourse beyond the stereotypes of male and female. In doing so they reveal the aesthetic tensions within the confines of our own patrimonial bodies.

     


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